The freebooting debate: Keeping obscure legacies alive

Aaliyah One In A Million
Album cover of Aaliyah’s One In A Million (Photo from Wikipedia)

I recently read a Complex article explaining why Aaliyah’s music cannot be legally downloaded on the Internet. Often times for artists who do not make their music available online, typical reasons include issues with royalties, ethics, or quality. What makes the late R&B singer’s case so unique is how there appears to be a lack of motive behind it. The article goes on to question if as a result, illegally sharing her music on the Internet is one of the main things keeping Aaliyah’s legacy alive.

While Aaliyah is by no means an obscure musician, her situation falls similar to actual obscure artists. This raises a question of if illegal access online for not only obscure music, but any obscure media is a positive thing. Continue reading “The freebooting debate: Keeping obscure legacies alive”

Sounds of cyberspace: How the internet has influenced music

If there are any two things that are constantly changing with the times, it is music and the internet. Good things happen when one meets the other. The internet has had a helping hand in bringing musicians and fans together in ways once impossible, but the internet’s influence on the actual sound of music raises questions.

How can one take the merely visual internet, and associate it with sounds? Can the internet make a sound? And how do we come to the unanimous decision regarding what defines the “noise of the net”? Musicians of the 21st century have found ways to bring aspects of the internet into not only their visual aesthetic, but also into their styles. Continue reading “Sounds of cyberspace: How the internet has influenced music”